![]() Lava Lord goes from being an outright villain with plans to conquer the world to being close to an Anti-Hero he still dislikes Max but the two never come into direct conflict and even end up working together on two separate occasions.His toyline incarnation wasn't as bad of a villain, being presented as more simply brutish and savage than actually evil, but his cartoon incarnation is outright heroic, even sacrificing his own freedom to keep a monstrous immortal sabertooth tiger sealed away. Gor the Caveman from "Tar Wars" is arguably an even bigger example than Kalamarus. ![]() Kalamarus from the episode "Less Than 20,000 Squid Heads Under The Sea" goes from being an Omnicidal Maniac Mad Scientist in the toyline to being the benevolent ( if cowardly) leader of a civilization of squid people in the cartoon.Ravendark from "Let Sleeping Dragons Lie" goes from a true villain who wants to sacrifice Max as part of a black magic ritual, to being much more sympathetic, even pulling a Heel–Face Turn.Adaptational Heroism: Several characters who were outright villains in the toyline and corresponding mini-comics become much less evil.However, over time he does become more accepting of his role as the Cap Bearer. Action Survivor: Max is just a normal kid who wants to do regular kid stuff, but Destiny keeps calling.Though Norman did once throw his sword to Max, who caught it by the blade with his bare hands without injuring himself at all.It can also cut down rock monsters by the dozens without dulling. In one episode it cuts a very large tree down with a single swing. Absurdly Sharp Blade: Norman's sword can cut through quite a lot.The show typically worked a given topic into the episode's plot, such as by showing a monster powered by quartz crystals and then explaining quartz's scientific properties afterward. On top of everything else, the show technically qualified as educational without being patronizing or boring, thanks to making it distinct and separate from the main show by ending the program using And Knowing Is Half the Battle tags. It was also unusual amongst its fellows as Max had no real 'powers' to speak of, and its classic monster horror roots meant it never shied away from actually killing people (especially in the final plot arcs) during a time when most cartoons would Never Say "Die", Virgil even pointing out in one episode that "Real violence has real consequences." note Interestingly enough, despite technically being a spinoff it was this franchise that got to TV first- Polly Pocket would have to wait more than two decades to get her chance. The show was based on the Mattel Mighty Max line of playsets and intended to be the Spear Counterpart to Polly Pocket- so it was technically Merchandise-Driven although this aspect wasn't too noticeable. While Skullmaster formed an overarching storyline involving his desires to Take Over the World, there were plenty of other creatures and stand-alone enemies that encompassed many cultures. The resident Big Bad was Skullmaster, a dyed-in-the-wool villain powered by the voice of Tim Curry. and that baseball cap is a legendary key to open a series of ancient portals to transport them around the world and even beneath it. Exposition Virgil was to be his mentor, who happened to be a humanoid fowl (but certainly not a chicken- indeed, he looked more like an owl). The show centers around a smart-aleck boy, Max, who is sent an artifact by his archeologist mother, only to find an enchanted baseball cap signifying him as a chosen hero: the "cap bearer" or "mighty one." He comes across two individuals who are also destined to protect and train him, the immortal viking Big Guy Norman provided the muscle and protection while Mr. It ran from September, 1993 to December, 1994 in syndication (a total of 40 episodes in two seasons), with later reruns on the USA Network. Mighty Max is an animated series created by Film Roman. What about the air force, or the UN? Arnold Schwarzenegger? I mean we don't want to hog all the glory for ourselves. Max: You know, I knew you were going to say that.
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